Philipp Lachenmann: DELPHI Rationale


Fine Arts


01.09.2017, Berlin | Haus am Lützowplatz in Berlin shows the first institutional solo exhibition of the Austrian artist Thomas Feuerstein (* 1968). The exhibition PROMETHEUS DELIVERED will open on September 13, 2017, at 7 p.m. The Vienna-based artist is working at the interface of applied and theoretical science and combines epistemes from philosophy, art history and literature with biotechnology, economics and politics to an artistic narrative that raises questions about existential basic parameters and the origin of life.

Thomas Feuerstein, HOT AND DEEP, 2017



Anne Imhof at the 57th International Art Exhibition – La Biennale di Venezia

26.04.2017, Berlin | Anne Imhof designed the German Pavilion for the 57th International Art Exhibition of the Venice Biennial, “Viva Arte Viva.” She has developed a performance specifically for the space of the German Pavilion, which inquires into how the new technological and economic conditions affect and act on human beings. In her performances, Imhof reflects on how the optimized and capitalized body is (co-)constituted through the media. Imhof thus addresses a key question at the interface of biology, technology, and art, which is also at the heart of many projects of the Ernst Schering Foundation. The German Pavilion is curated by Susanne Pfeffer.




SCORES: Saâdane Afif, Christian Marclay, Ari Benjamin Meyers, Jorinde Voigt

20.09.2016, Berlin | The exhibition and concert project SCORES in the series “Works of Music by Visual Artists,” which opens at Hamburger Bahnhof on October 27, 2016, at 7 p.m., is devoted to the subject of the musical score, which since the 1960s has been understood as a varied and versatile recording medium going well beyond traditional notation. The contributions by Saâdane Afif, Christian Marclay, Ari Benjamin Meyers, and Jorinde Voigt use different media – text and object, video and comic, drawing and concept – to make this subject the focus of an exhibition accompanied by concerts. Since 2005, the Ernst Schering Foundation has repeatedly supported the series “Works of Music by Visual Artists,” which was initiated by the association Verein Freunde Guter Musik Berlin and has supported such important artists as Carsten Nicolai (2005), Ryoji Ikeda (2012), and Susan Philipsz (2014).

Scores at Hamburger Bahnhof, supported by Ernst Schering Foundation, image: Jorinde Voigt



Cécile B. Evans as part of the 9th Berlin Biennale for Contemporary Art

03.06.2016, Berlin | The 9th Berlin Biennale for Contemporary Art, curated by DIS, opens on June 3, 2016. As part of the Biennale, the Ernst Schering Foundation supports the new work, What the Heart Wants, by the Belgian-American artist Cécile B. Evans. Evans’ work unravels the value of emotions in contemporary society, the increasing influence of new technologies on how we feel and act, and the ways in which they circulate and influence the economy.

© Cécile B. Evans



Goshka Macuga

30.05.2016, Berlin | Overcoming the human body through work on artificial memory and artificial intelligence is the topic addressed by Goshka Macuga in her double exhibition at Schinkel Pavillon. The two-part exhibition opens on June 2, 2016, at 7 p.m., with “Now this, is this the end... the end of the beginning or the beginning of the end? (part 1),” which will run for four weeks, while part 2 will go on view in July until the Berlin Art Week in September 2016.

Goshka Macuga



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